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The Advertiser's Doom · 86 days ago by Crosbie Fitch

In Ad Blocking is Here to Stay Michael Castello notices another business model that is declining in viability and observes the complaints of those who would see it preserved at all costs.

Lazaris basically subscribes to the idea that because advertising has been a primary source of income for many websites, it should stay that way. This completely ignores the fact that the world changes, and things that were once highly profitable may lose relevance. It’s like farriers complaining about automobiles or whalers complaining about electricity – you can bemoan the changes all you want but the business choice is straightforward: adapt or be left behind.

Advertising (as is traditionally recognised) is inevitably in decline. This is because it resulted from an extreme asymmetry that developed between vendors and customers when vendors became mass producers, and could no longer meet their customers on a one-to-one basis. It was further exacerbated when vendors took advantage of mass communications technology (printing, broadcasting) to communicate UNIDIRECTIONALLY to their customers (current and potential). Very little communication has been possible in the other direction for decades if not a century or more, i.e. customers needing to communicate their wants and prices to potential vendors, especially mass producers.

With the advent of the Internet this communications imbalance is set to become balanced, i.e. vendor product advertising/customer discovery severely declining in proportion to the increase in customer need advertising/vendor discovery that is slowly rising to meet it.

When communication is unidirectional it is economic to pay others to compromise their own communications (parasitism) in order to reach potential customers that are otherwise effectively blind, deaf, invisible and dumb (they can’t get closer to the vendor to see or hear them, nor be seen by them, nor speak loudly enough to be heard).

When communication is bidirectional the value of inserting one’s message in another’s communication is liable to become much less than the loss of value it causes. Thus such traditional, parasitic advertising is likely to cease entirely.

Selling audience eyeballs is doomed as a business model.

Instead we will see both vendors and customers making their communications publicly available with a view to potential relationships/exchanges, and both looking to discover and be discovered by each other. Communication then occurs directly according to the relationships that are made.

See Doc Searls’ ProjectVRM for further details of this tectonic rebalancing of marketplace communications and relationships.

Steve R. said 81 days ago :

The unidirectional nature of advertising (including telemarketing/junk mail) has been a major irritant. Basically, in looking at this issue, we have been overlooking the rights of the recipient of the advertising message. Fundamentally, what “right” gives an advertiser the ability to “trespass” on the consumer? I posted on this topic here: srynas.blogspot.com/…

An indirect adverse effect of the unidirectional nature of advertising, has been the use of lawsuits as an attempt to silence critics.

Essentially, advertisers seem to believe that they have an entitlement to “accost” the consumer and if the consumer reacts by complaining to silence the consumer.

PS: There have been customer satisfaction surveys that I participated in. I hope that these surveys were valid attempts at facilitating two-way communication.

'Open' 'Rights' Group · 178 days ago by Crosbie Fitch

On the Open Rights Group blog post today by Jim Killock (ORG Executive Director) entitled “What Panorama Didn’t Talk About: Our Rights”, I submitted a 2nd comment by way of reply to another commenter called ‘Tom’. Unfortunately, Michael Holloway (ORG Development Manager) e-mailed me to say “We don’t want every comments thread to descend into the same philosophical argument so i’m not going to publish this.”

So, I’m publishing it here instead. Let’s hope Tom finds it one day.

It seems strange to bar my comment on the subject of rights from a post specifically concerned with ‘Our Rights’, especially by an organisation seemingly interested to encourage openness and the upholding of our rights.

Anyway, here are the respective comments:

Crosbie Fitch

Privilege of Copyright vs Natural Right to Copy
Reply #7 on : Tue March 16, 2010, 10:00:25

It’s the old “Would you sleep with me for a £million?” question. If you support copyright we’ve established you’re happy to surrender your right. All that’s being quibbled about now is the price (social cost of enforcement).

You can’t surrender your natural right AND complain that those you’ve surrendered it to are too eager to protect and exploit the privilege you’ve given them.

This won’t get resolved until the doublethink ends.

Tom

Re: Crosbie
Reply #4 on : Tue March 16, 2010, 10:41:45

Hi Crosbie,

Whilst I agree in principle, I think in practice we have to act. It seems to me that copyright laws will have to evolve or be got rid of altogether because I don’t think anyone can halt the growth of sharing on the internet.

Unless, that is, we end up on a glorified version of a corporate network where almost nothing except http and https to a list of approved websites is allowed (oh yes and pre approved Microsoft gaming ports and protocols for the proles). I cannot believe even the average consumer would put up with this btw., even joe public must surely be able to recognise that we’d be worse off than the Chinese if that happened?!

Nevertheless, to be absolutely certain we do not even begin to roll along that road we MUST do everything we can to prevent this bill from being passed into law.

Crosbie Fitch

Go back to the shadow. You shall not pass!
Posted/Failed moderation on : Tue March 16, 2010, ~11:30am

Tom, we cannot act – unless you mean to analyse, discuss, and argue.

The people can act, but only when they are roused. And it’s going to take quite some time before that happens, before the copyright based industry’s lobbied legislation starts kicking in to cause that degree of suffering.

The best thing to do about the 18th century privilege of copyright is to abolish it, restoring the individual’s natural right to copy. Then there’d be no calls to fine people on the basis of an accusation, bankrupt them, disconnect them, or censor their websites (or other ‘Internet locations’).

It should not be surprising that unjust legislation is being passed to enforce an instrument of injustice. What surprises me is just how difficult it is for anyone to even consider that copyright might be an injustice – without simply reeling off received pretexts and platitudes, comforting myths to avoid the unpalatable truth.

However, even if people do come to realise how copyright has become a weapon to be used against them, it’s not clear that shareholder centric publishing corporations would do anything except continue to plead for more firepower, more damage, more pain and suffering to ‘educate’ and subjugate the masses.

If they really would insist on pursuing the preservation of their monopolies despite the hidden economic cost to industry as a whole, then one way of retaining copyright on the statute books, but in a far less sociopathic form, would be to exempt the individual from possible infringement, i.e. make copyright apply exclusively to corporations.

One could even suggest an intermediate, ‘Back to the 80s’ copyright reform. This would limit copyright’s applicability to the individual to cover only their illicit manufacture and distribution of material copies, i.e. any electronic communication or diffusion by the individual would be considered ‘copyright exempt’ free speech whether it involved copying or not.

Thus, selling illicit copies of movies on DVDs or memory sticks in a car boot sale would remain an infringement, but file-sharing would not be (unless by a corporation). In this way the traditional printer’s monopoly is maintained, but the new technology upon which copyright is completely ineffective, warrants the removal of that invidious weapon’s use against the individual. This is the effective situation today anyway, so legislating it doesn’t actually change anything except to remove from corporations the power to randomly bankrupt or otherwise persecute fundamentally innocent citizens.

NB None of this (even abolition) derogates from any individual’s moral rights concerning their intellectual work, nor their natural exclusive right to their private intellectual works.

So there could certainly be more humane legislation, but unfortunately, it’s neither us nor the people who are able to get it rubber stamped by parliament. In any case, even if the individual was exempted by copyright, it’s likely there’d still be things like amendment 120a to permit the censorship of allegedly infringing websites. That’s why I’m a copyright abolitionist. There is nothing good either ethically or economically about copyright. Abolish copyright and you prevent disastrous enforcement measures, DMCA, EUCD, ACTA, DEBill, etc.

So, for the Digital Economy Bill, this is a demon that has now been unleashed.

Sadly, in this world there are no wizards to prevent its passing.

The interesting time in which we live is about to get more interesting…

21st Century Prohibition · 577 days ago by Crosbie Fitch

I’m pleased to be introduced by Jon Newton of P2PNet to Jeff Tucker’s incisive article observing the prohibition era of the 21st century – illicit distribution of pop the culture rather than of pop the beverage.

So let’s infringe LewRockwell.com’s copyright and thumb our noses at the prohibition of copying another’s published work without their permission:

The Mercantilism of Our Time

by Jeffrey A. Tucker

Someone handed me a book the other day – a cult classic among music geeks – and urged me to read it, and, when I had finished, sign my name in the front cover. That way I could be added to the already long list of readers in the front cover, each of whom add added his or her scrawl to the book after having read it.

How charming!

Except for one thing: this is complete violation of the spirit of intellectual property law. All these readers were sharing the same book instead of buying a new copy. Think of the revenue lost to the publisher and the royalties lost to the author! Why, if this gets out of hand, no one will ever write or publish again! These readers are all pirates and thieves, and they should probably be subject to prosecution.

So goes the rationale behind intellectual property law. It’s what economists call a “producers’ policy,” design to create maximum revenue for one side of the economic exchange, consumers be damned. In that sense, it is exactly like trade protection, a shortsighted policy that stymies growth, robs consumers, and subsidizes inefficiency. It’s Bastiat’s “petition of the candlemakers against the sun” all over again.

Apply the IP principle consistently and it’s a wonder we tolerate public libraries, where people are encouraged to share the same copy of a book rather than buy a new copy. Isn’t this also an institutionalized form of piracy?

The defenders of IP would have to admit that it is. They are often driven to crazy extremes in sticking the claim that copying is a form of theft.

I asked one emphatic correspondent about the ethics of the following case. I see a guy in a blue shirt and like it, so I respond by wearing one too. Is this immoral?

No, he said, because the color blue occurs in nature.

What if a person draws a yellow happy face on the blue shirt? Can I copy that? No, he said, this would be immoral. I must ask his permission and gain his consent. Actually, it’s even worse than this case suggests. If even one person had previously worn a blue shirt with a happy face, no one else on the planet would be able to do that without seeking consent.

It should be obvious that if everyone were required to seek the permission for the use of every infinitely reproducible thing that “belongs” to someone else – every word, phrase, look, vocal inflection, chord progression, arrangement of letters, hair style, technique, or whatever – or if we were really to suppose that only person may possess the unique instant of any of these things, civilization would come to a grinding halt.

Sadly, this is where our laws are tending. Right now, there are laws being considered that would step up IP enforcement to the point of clear absurdity. Just last week, YouTube removed the background music of countless videos for copyright reasons, even though such videos help popularize the music. Even home performances of songs written in the 1930s – young kids playing piano and singing – were taken down at the behest of producers.

People are talking about extending patents to sports moves, extending copyright to story lines, imposing a central plan on computer design to comply with patents, forcing everyone on the planet to obey U.S.-style IP laws by means of military force. Kids are going to jail, institutions are hiring internal police forces to watch for IP violations, and an entire generation is growing up with a deeply cynical attitude toward the entire business of law.

We are at a prohibition-style moment with regard to IP, just as with liquor in the 1920s. The war on the banned thing isn’t working. Those in power face the choice of stepping it up even further and thereby imposing a militarized state in place of anything resembling freedom, or they can admit that the current configuration of law has no future and bring some rationality to the question. Other societies have indeed crushed innovation with this very impulse.

Do you know why we celebrate Columbus Day instead of Cheng Ho Day? Cheng Ho was a great Chinese explorer who, in the early 15th century, took his fleets to Africa and the Middle East, but he was forced to stop when the elites in the home country began to feel threatened by his discoveries. The Chinese government won the war on exploration, and became static and inward. You can win a war on progress but the gains over the long term are few.

In addition to relaying the above story, the authors of Against Intellectual Monopoly, in the last chapter of their fantastic book, make a case for the complete dismantling of the law. “Intellectual property is a cancer,” they write. “The goal must be not merely to make the cancer more benign but ultimately to get rid of it entirely.”

The authors do not leave at that. They are intellectuals of the real world. They first make a case against any more expansions of bad laws, and lay out some reform proposals: shortening patent and copyright terms, changing burden of proof for originality, eliminate ridiculous redundancy trials for drugs, and the like. The authors even volunteer their time to help craft legislation. But the really hard work here is intellectual, since the pro-IP bias is so entrenched. The authors take the pure abolitionist position as a way of shocking us out of our stupor.

Is change possible? Of course. It was thought in the middle ages that most all products required monopoly production. The salt producer would enter into an agreement with the ruler. The ruler would promise a monopoly in exchange for a share of the revenue. It was thought that this would guarantee access to a valuable commodity. How can anyone make a buck without a guarantee that his hard work would be compensated?

Well, it took time but eventually people realized that competition and markets actually do provide, as implausible as it may seem. As the centuries moved on, markets became ever freer, and we no longer believe that the king must confer a special status on any producer. They still do it, of course, but mostly for open reasons of political patronage.

And yet in this one area of “intellectual property,” all the old mercantilist myths survive. People still believe that a state grant of monopoly privilege is necessary for the market to work. The myth has now been crushed with this book. So now the laws can be beaten back and they are being beaten back in the age of digital media.

Realize that for young people today, the initials RIAA and MPAA are the most hated on the planet – the equivalent of the IRS of a past generation. The heck of it is that these are private entities. Think what this means.

Capitalists of the world, please pay attention: you have a serious problem when an entire generation is being raised to HATE private, capitalistic institutions. Now, you and I know that these institutions are doing something illegitimate, namely enforcing “intellectual property,” which is really nothing but state coercion. Still, this besmirches the reputation of free markets. So too is a generation of socialists being raised to hate U.S. foreign policy on the belief that its export of IP is a form of capitalist imperialism.

For these reasons, no one has a stronger interest in abolishing intellectual property than supporters of capitalism.

I said at the beginning of this series that it has taken me fully six years to think through these issues. The book by Boldrine and Levine broke through the reservations I had that remained. In the meantime, I’ve received hundreds of messages to the effect that other readers have made the jump too. Whatever is holding you back, I beg to you read this account. I personally consider it to be one of the most mind-blowing books I’ve ever encountered, and so now I join the armies of people who are demanding an end to a system that threatens our way of life in the most fundamental way.

For this reason, this book is seminal, not only for our times, but for the entire history of liberty. It has clarified a point that has been a source of confusion for many years, and put it front and center in the current debate.

It might need correcting in places and I have my own knits to pick over their neoclassical framework and talk of social costs and the like, but these are petty concerns as compared with the overall framework. What they have done is marvelous and extremely important.

February 9, 2009

Jeffrey Tucker [send him mail] is editorial vice president of www.Mises.org .

drew Roberts said 575 days ago :

www.mises.org/store/…

And is this book released under any kind of Free license? Or are they claiming “All Rights Reserved”?

all the best,

drew

Crosbie Fitch said 575 days ago :

See Throwing the Book Against Intellectual Monopoly. It’s not really clear what their thoughts were regarding licensing, I don’t think any license is provided. I suspect they simply have no time for copyright nor even a license. I sympathise.

drew Roberts said 574 days ago :

It is one thing for people to have no time for copyright, unfortunately, that leaves them with an automatic copyright and the rest of us criminally liable in some places should we violate such.

Not a game I care to play.

drew

Crosbie Fitch said 574 days ago :

I suspect their argument would be that they wouldn’t pursue infringement since they don’t have time for copyright.

Unfortunately, that doesn’t necessarily prevent their publisher doing so.

I agree it would be kinder for libertarians to explicitly neutralise their copyright (otherwise automatically applying) before allowing such a dangerous weapon to fall into the hands of an unscrupulous publisher.

It is possible they might feel a neutralising license would undermine their argument against copyright and other monopolies if they were seen to be able to remedy it.

God knows. It’s probably best to ask the authors for their reasons.

See this post on AgainstMonopoly.org for more discussion: Copyright and Cambridge U. Press

drew Roberts said 574 days ago :

Well, I just read the link and it is not comforting.

It is basically under a traditional copyright. if you tried to publish a book containing significant portions of that without permission you would likely face a copyright suit…

Quite ironic. Oh well, I may read it despite that. I am constantly amazed by all the twists and turns in this space.

Saving on A&R · 673 days ago by Crosbie Fitch

Record labels are finding A&R so expensive these days that they are having to save money by asking the artists to come to them – and encouraging them to do so by portraying it as competition with a worthwhile prize.

An example of such a competition is Orange Unsigned Act.

What’s the prize for the best act?

3.6.3.The prize for the winning Artist shall be an artist recording agreement accompanied by a promotional campaign by Sony Ericsson / Orange.

Wow! Instead of any monetary award, the band gets the option to sign away their future output and artistic freedom to a record label, and that’s not all – if they sign, they get an advance (aka an interest free loan).

If the winning artist is inclined to go for what appears to be a big money prize, they should be aware that if they don’t sustain the popular appeal (who needs talent?) they appeared to have and fail to encourage enough of their fans to buy copies of their works retailed by the label (instead of downloading them from file-sharing sites), they’ll end up having to repay all of that advance and more back to the label.

Meanwhile all those ‘runner up’ unsigned acts, still record label virgins (having obtained all their knowledge of the recording industry from books about how it worked so well for great bands of the sixties and seventies), will try harder next year (apart from those invited to sign anyway – a day after the competition closes).

Things have changed.

Recommended reading list for unsigned acts:

It may be fine to win the prize for the best unsigned act for its promotional benefit, but whatever you do DON’T SIGN! Remain unsigned and sell your music directly to your audience. Ask yourself why you need a very expensive label to pay radio stations to play your music and to produce millions of CDs for sale in shops. Leave promotion and distribution to your audience – even the labels recognise that a musician’s audience is their biggest competitor – that’s why they keep on prosecuting it for infringing upon their monopoly.

New Music Strategies · 677 days ago by Crosbie Fitch

I recommend Andrew Dubber’s blog New Music Strategies. This does indeed look like a promising blog for those interested in fresh approaches for online music business.

For an example of the good calibre and insight of the numerous commentors it has, check out a recent post Here’s a question nobody ever asks – this had 83 comments last time I looked.

Andrew Dubber is an Arts and Humanities Research Council Knowledge Transfer Fellow in Online Music and Radio Innovation and a Senior Lecturer in the Music Industries at Birmingham City University, UK. More…

Willing Impartiality, William Patry Disengages · 765 days ago by Crosbie Fitch

Why has Professor William Patry discontinued his blog?

One possibility (as he alludes to) is an inability to escape the implication that he expresses Google’s views on copyright, or at least biases his views in Google’s favour.

Therefore, I deduce that William has said to himself something like this: “Sorry me, I know I’ve done everything possible to dissociate my blog and opinions from Google’s interests, but this still isn’t preventing significant opinion from understanding otherwise, and so I must ask myself to discontinue my blog”.

Even this could only be a problem if there were powerful maximalist forces tempted to insinuate that Patry’s blog evinced bias from being in Google’s employ, and irrespective of the truth, the plausibility of that being a popular perception and association couldn’t help but implicate bias in Patry’s legal opinions, and thus affect his practice for which a perception of impartiality is a prerequisite.

I suppose that if he’s also seen to entertain copyright abolitionists this exacerbates any perception of bias, whether he considers abolitionists crazy or not.

I’d suggest that whilst it may be professionally critical to evince impartiality (beyond its mere achievement), if this is at the cost of understanding it cannot help but compromise one’s integrity. You cannot improve your judgement of the world (since law evolves from the people), or anyone else’s judgement, if you retreat from engagement with it, the people that comprise it.

So, what would I say? “Come on Bill, get your blog back up, and start publishing my comments again!” And inevitably, some people will suspect I’m biased in this. ;-)

Throwing the Book Against Intellectual Monopoly · 788 days ago by Crosbie Fitch

Michele Boldrin and David K. Levine have now engaged Cambridge University Press to publish their book Against Intellectual Monopoly, which is, hypocritically, subject to the artificial reproduction monopoly of copyright. I’ll leave it to you to decide whether this indicts the authors for their selection of publisher, or the reputedly academic publisher for failing to educate themselves with the words they lay claim to and neutralise their monopoly – or both.

Check out what Casey Bowman has to say apropos the publication of this book:
freepirate.blogspot.com/boldrin-and-levine-have-published-book.

It’s very disappointing, but not too surprising to the cynics among us, to deduce that even the ‘Pirate party’ is being infested by hand wringing moderates/reformists, so in fear of being identified as a den of IP thieves that they are antipathetic toward abolition or those who propose it.

Contrast this with Bill Stepp’s comparison of those privileged by copyright to suspend the public’s liberty, with those once privileged to own slaves:

Any book published in the United States is automatically copyrighted under the copyright law. Copyright is a form of slavery, under which certain actions of non-copyright holders are proscribed (e.g. making copies of books).

Just as under chattel slavery, a baby born of a slave was automatically a slave under the law of slavery, so too a non-copyright holder is a slave to an author and copyright holder who begats a book, under the law of copyright, to the extent he can’t perform certain actions with his own property.

Anyone opposed to slavery should be against copyright. He who says copyright also says slavery in the same breath.

In accord with Bill, those who advocate appeasement and so dare nothing more radical than the aspiration of a kinder copyright and a less frivolous patent system, may be compared to those who’d bless the god given right for men to keep slaves, but who’d compassionately call for some regulation of working and living conditions. See A Balanced Approach to Copyright?

I was amused only recently to discover that abolishcopyright.com not only admits defeat in its first post (that abolition is impossible), but then compounds this surrender with a Stockholm syndrome endorsement of copyright albeit with a shorter term.

That a world without the privilege of copyright/patent is so difficult to countenance, let alone grok, has led me on past occasions to conclude that the only way of achieving its abolition is to portray this as reform, as a set of apparently more constraining intellectual property rights – possibly having to retain the misnomer of ‘copyright’ to name it (when the term will at least then truly represent a restoration of the ‘right to copy’ and cease being a misnomer).

Nevertheless, latter day pirates do need to be identified correctly, the good from the bad. The good pirates should be recognised as those in pursuit of natural rights, necessarily including liberty unconstrained by mercantile privilege, not as apologetic reformists who simply desire greater kindness from their privileged masters. The bad pirates, at the other extreme, are those nihilistic libertines who would privilege themselves above all others. See The Freedom of Pirates or the Liberty of Civilised Men.

Anyway, do give the book a read.

Stephan Kinsella said 752 days ago :

But their book is free online; as is my own just-published book, “Against Intellectual Property” (Amazon link).

Policing Intellectual Property · 793 days ago by Crosbie Fitch

Good to see our high street merchants are keeping up with the times and working hard to protect their customers’ inclination to shop and their intellectual property against theft – especially the published and publicly accessible IP – clearly that most at risk.

We can’t have digital pirates wandering around town centres such as Worthing with their digital cameras just so they can capture and upload what are inevitably copyrighted works on flickr and other notorious file sharing sites.

Hat tip to Ian Betteridge.

If the government won’t protect the mercantile privileges and reproduction monopolies they’ve granted, well, the merchants will have to damn well protect them themselves until the state sees sense and provides the necessary police force.

C-61 - Smells like... Canadian Coffee · 810 days ago by Crosbie Fitch

The Canadian version of the DMCA, arriving late to a wiser party, finds its reception muted.

Those Canadians receving it, who recognise something is rotten in the state of Denmark, figure the C-61 medicine is harsher than it needs to be.

Unfortunately, such canny citizens are still outnumbered 10 to 1 by those who’ve been properly educated with the “If it ain’t hurting it ain’t working” principle who are happy to be convinced that the more efficacious copyright’s enforcement measures are, the better it is for all lovers of creative works.

On the other hand, those who now recognise that copyright is actually a cultural constraint causing damage in proportion to its fortification, and to be abolished rather than fortified, realise such heliocentric heresy holds little appeal to any audience.

So the only Canadian voices we hear in anything resembling dissent of copyright and its reinforcement by C-61 are those asking for less harshness, and greater balance. In other words those demanding “What the heck are you doing in my home?”

Copyright has only just started affecting the public’s liberty, since the public has only recently had tools that so promiscuously infringe copyright (aka ‘share and build upon published culture’). Predictably, the public have little problem with commercial privileges as long as they don’t affect them as individuals, so they say “Look, keep your publishing monopolies if that’s your bag, but don’t start telling me what I can or can’t do with the cultural works I purchase”.

With C-61 there are a minority of more technologically adept Canadians who aren’t too happy about its implications for the domestic liberties they are familiar with, e.g. transferring CDs to iPods and DVDs to portable movie players.

C-61 says “Sure, you can copy that which you are permitted to copy, but not that which you are not.” Denigrating C-61’s harsh penalties (against those who do attempt to copy that which is not copyable) as applying only to a tiny criminal underclass, its proponents also fatuously argue that if enough citizens prefer copyable media then that’s what the market will provide.

So what hope is there for citizens seeking balance?

None.

Ultimately, you either have copyright law that prohibits copying of published works in order to create a commercial privilege for publishers, or you don’t have such a law, and anyone can copy published works to their heart’s content.

You can’t have it both ways, and the industry knows this. There is no balance available. It is not possible to legitimise domestic copying if copyright is to remain even remotely viable.

Just as with the US DMCA and the European EUCD, C-61 is about reinforcing copyright, not balancing, compromising, or reforming it.

And this is the way it will go. Copyright legislation will keep on being added to with ever more draconian enforcement measures.

Well, it’ll go like that until you get to the point at which the worm turns, i.e. the culturally repressed populace decides that enough is enough.

The moment you allow domestic copying is the moment copyright is essentially completely emasculated and impotent. It is already ineffective at preventing copying, but it still at least has enough teeth to prosecute unwitting families in CRIA’s educational campaigns (C-61 adds another row of sharper teeth).

So, at least understand why C-61 is the way it is, and that asking for the legalisation of domestic copying is like asking for copyright’s abolition. You can then understand why those seeking ‘balance’ will not get it, unless they unwittingly obtain copyright’s abolition in the process (which is pretty unlikely).

We will instead see the granting of facile pseudo-concessions, such as permission to make temporary, private copies of those things the copyright holder has not secured against such copying.

Things will get worse before they get better.

Far too few Canadians have yet caught the whiff of coffee in their cultural slumber.

Imagine a World Without Copyright · 830 days ago by Crosbie Fitch

I’ve just noticed the following essay by Marieke van Schijndel & Joost Smiers.

IMAGINING A WORLD WITHOUT COPYRIGHT

It was introduced by Gerd Leonhard on the 18th of February, 2005.

It is extremely difficult to imagine a world without copyright, so any help in this respect is most useful.

This leads me to discover that Gerd Leonhard has a series of essays concerning the ‘end of control’.

Also see his downloadable book Music 2.0.

 

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